Anastasia Bartoli

Born in Florence, Anastasia Bartoli is an artist on an extraordinary rise, thanks to a voice of yesteryear for its richness of colour and remarkable power. Endowed with a wide and even tessitura with soaring high notes, in just a few years she has covered roles as a lyric-dramatic soprano and also as a Colbran soprano.

Graduated in opera singing at the Conservatory of Verona in 2016, she made her debut with Rosina in Il barbiere di Siviglia at the Teatro Ristori in Verona; in 2017 she was Santuzza under the direction of Mº Carlo Rizzi in a selection from Cavalleria Rusticana in Lisbon. In 2018 she was first prize at the Concorso Voci Verdiane di Busseto and performed with Yusif Eyvazov at the Lugo Prize. She then debuts at the Teatro Goldoni in Livorno with Mascagni's Sì, in Padua in a concert with I Solisti Veneti in memory of Mº Claudio Scimone and in a gala at the Opera Romana in Craiova with Fabio Armiliato and Alberto Gazale. In 2019, she makes her debut at the Teatro Bellini in Catania as Olga in Fedora, at the Teatro Regio in Parma in a Verdi Gala sharing the stage with Leo Nucci and plays Donna Elvira in Don Giovanni at the Teatro Verdi in Padua with MºJordi Bernàcer. She then sang in Rossini's Stabat Mater in Trieste and then in Turin with the Orchestra Sinfonica nazionale della Rai with Mº Michele Spotti.

In 2021 she debuts as Lady Macbeth in Macbeth under the baton of Mº Riccardo Muti at the Tokyo Spring Festival and makes her debut as Abigaille in Nabucco at the Teatro Petruzzelli di Bari, conducted by Mº Renato Palumbo. In 2022 she made her debut at the Teatro Massimo di Palermo as Amelia in Simon Boccanegra interpreted by Plácido Domingo, conducted by Mº Francesco Ivan Ciampa; then she was Elvira in Ernani at the Teatro dell'Opera di Roma with Mº Marco Armiliato, Nedda in Pagliacci at the Teatro Lirico di Cagliari and she was Lady Macbeth in Macbeth conducted by Mº Paolo Arrivabeni at the Opera di Marseille.

In 2023 she made her debut at the Teatro la Fenice in Venice as Elvira in Ernani with Francesco Meli and Contarini in I due Foscari with Luca Salsi; She was also Elvira in Don Giovanni at the Teatro del Maggio Musicale Fiorentino conducted by Mº Zubin Mehta who also invited her on the opening tour of the season of the Enescu Festival in Bucharest as Desdemona in Otello with Fabio Sartori and, with extraordinary success with the public and critics, she played Cristina at the Rossini Opera Festival in Pesaro in Eduardo e Cristina and a moving recital accompanied on the piano by her mother Cecilia Gasdia, herself a revelation at the same festival forty years earlier.

In 2024 she made her debut in Palm Beach with Tosca, then at the Teatro Carlo Felice in Genoa with Mimì in La bohème and in the summer she triumphed at the Rossini Opera Festival with Ermione, one of the most complex roles in the Rossini repertoire.

She also made her debut in Berlin with Nabucco at the Staatsoper Unter den Linden and with Macbeth at the Bayerische Staatsoper in Munich, and in the 2024/25 season she performed Tosca at the Teatro dell'Opera in Rome and Suor Angelica at the Teatro Verdi in Trieste. She also made her debut as Odabella in Attila at the Teatro La Fenice.

Future engagements include Zelmira at the Rossini Opera Festival and Manon Lescaut at the Teatro Regio di Parma.